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A work made of color laser copier artworks (20).

Colors, June 1987

University of Illinois at Chicago. School of Art and Design

A work made of letterpress.

We Live [Žijeme], 1931–33

Ladislav Sutnar

A chair constructed of white honeycomb paper. The flexible design can fold flat and unfold into a three-dimensional form.

Honey-Pop, 2001

Tokujin Yoshioka

A work made of gelatin silver prints (two matted together), from "united states geological survey," and "rephotograpic survey project" (1977–1980).

Pyramid Isle, Pyramid Lake, Nevada, 1867 and 1979

Mark Klett

Light Calligram II

Light Calligram II, 1993

Joan Fontcuberta

A work made of white gouache on gelatin silver prints, cut torn and tipped together.

20 Years of Solitude, 1993

Anselm Kiefer

A grand, double-height room with wood paneling, stenciled wall patterns, four hexagonal columns, and an interior balcony with guardrail at left.

Chicago Stock Exchange Trading Room: Reconstruction at the Art Institute of Chicago, 1893/94 (original built) 1972 (original demolished) 1976/77 (reconstructed)

Adler & Sullivan, Architects

A work made of pastel, graphite, and colored pencil on hardboard.

Self-Portrait (No. 20), 1983

Ivan Albright

Painting of three light-skinned girls in a woodland setting. A dog in the foreground faces a girl with a puppy in her lap.

Three Little Girls, c. 1870

Narcisse Virgile Diaz de la Peña

A work made of color photo-etching from five plates on ivory wove paper.

Her Fragrance Lingered On, plate eight from Uruguayan Torture Series, 1983

Luis Camnitzer

Miniature aristocratic home library with wood-paneled walls, floral carpet, and ornate and upholstered furniture.

E-20: French Library of the Louis XV Period, c. 1720, c. 1937

Narcissa Niblack Thorne

E-13: English Rotunda and Library of the Regency Period, 1810-20

E-13: English Rotunda and Library of the Regency Period, 1810-20, c. 1937

Narcissa Niblack Thorne

A work made of black chalk on cream laid paper.

Farm Courtyard, c. 1750

François Boucher

A work made of aquatint, etching, soft ground, and flat bite viscosity inked in black and brown on cream wove paper.

Dual Form No. III, 1978

Eldzier Cortor

Print in black ink of three bearded men dressed in voluminous cloth hats. A fourth man in a tall cloth hat leans out of a doorway or window in apparent conversation with the others.

Three Oriental Figures (Jacob and Laban?), 1641

Rembrandt van Rijn

A work made of dye imbibition print.

Yellow Leaves and Asters, Sangre de Cristo Mountains, New Mexico, September 20, 1950, September 20, 1950

Eliot Porter

A work made of wood and pigment.

Face Mask (Sirige), 19th/20th century

Dogon

A work made of bent tubular chromium-plated steel, with banded and sewn dark green leather spanning seat and back.

MR 20 Armchair, Designed and manufactured 1926/27

Ludwig Mies van der Rohe

A work made of watercolor, with graphite, on ivory wove paper.

The Three Skulls, 1902/06

Paul Cezanne

A work made of various.

House Studies 1919-1920, Design Drawings, 1919–1920

Bruce Alonzo Goff

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